Letter to Theresa May - Prime Minister of the United Kingdom

PAMELA ANDERSON
October 11, 2016
The Right Honourable Theresa May MP
Prime Minister of the United Kingdom
10 Downing St.
London SW1A 2AA

Madam Prime Minister,
One of the things that I love the most about the U.K. is its strong reputation as a nation that opposes cruelty to animals. That's why my mouth dropped when I learned that Britain still has not banned wild animals from circuses. With all due respect, Brexit is complicated, but kissing circus animal acts goodbye is easy as pie.

I know that most Britons share my concerns, as my friends at PETA tell me that a government consultation on circuses showed that 94 percent (!) of respondents voiced their support for a complete ban on wild animals in circuses. That’s hardly surprising. Compassionate people simply do not support this institution because they know that animals used in circuses spend most of their lives in trailers and often in chains, denied everything that is natural and important to them and forced under the threat of punishment to perform acts that are painful, uncomfortable, and degrading to them.

Animal acts are embarrassingly archaic and have no place in modern Britain—or anywhere else—and I urge you to join the growing list of nations around the world that have put an end to this form of abuse. I’m currently in the U.K. and would welcome the chance to meet with you about this issue.

Thank you for your time and consideration.
Sincerely yours,
Pamela Anderson

Elephants

Since CITES is over,  I would like to ask the burning question of Sec of Interior, Sally Jewell: Why did US delegation break its promise to vote for Appendix 1 (endangered) listing for all elephants?. Their form letter excuses are not enough--Jewell herself promised a vote for Appendix 1 and the U.S. Delegation then voted against it. Does it have anything to do with the fact that Head of US delegation Dan Ashe is about to become head of AZA in December?  
 
Sec of Interior: your US delegation puts you and the Obama administration to shame!!!

A Sensual Vote

When you feel the hearts of others-

You have empathy, grace, respect- dignity -

Is a sign of a great leader.

It is disgraceful in any position but especially in one of high authority showing contempt for women and viewing women as objects.

This show's Lack of

Mental or self control let alone mental fidelity -

There ARE men who unfortunately demean women behind closed doors - maybe to one another.

It seems part of a culture of entitled people that have experienced little or'no consequences' for inappropriate behavior.

A father and a husband should know better .

It is sad how this behavior poorly

models a grown man? - (to our children). 

Maybe

Men like this have never felt the ground - or had compassion - for any being other than themselves...

The ground is probably near I predict- It will be good -

When men speak crassly - (and show no remorse of how their actions effect their family -)

it shows a lack of intelligence.

A lack of discipline. A lack of style. A lack of grace.

Men with this many short comings and blatant insecurity probably need to brag about money to entice attention- by showing off ? Its boring -

Money does not bring enduring Happiness-

Women catch on quick and have to battle their own self worth- and take a stand.

That's when men get scared.

And women suffer -

It is not sexy -

No man with that kind of thought process will ever win at anything.

It will be short lived. What ever attention they pursue.

It is not becoming of a powerful man. It is of a weak one.

the scum always rises to the surface.

To be addressed. It is a problem - Racism, Sexism.

It is something telling that America needs to look at..

There is a reason -

it's in our face right now.

Face it and erase it!

We are being shown these behaviors collectively.

The reaction will determine the outcome - our future.

It is not OK to sweep this under the rug.

And any one watching or participating needs to know that you will not be validated in a positive way for this type of behavior.

Please do not reinforce the poisonous practice of tiny men who are too spoiled? or think they're too rich? to respect others.

What is it about today's society that needs healing?

We are in need of A sensual revolution-

The Art of A gentleman. (Is not a lost art)

There are good men out there.

I wish we wouldn't have to subject our families to the TV these days.

To view such extreme reality show antics, 

every night on the news?.

The most important job in the world is at stake -

I'm sure everyone will VOTE their conscience.

I will, my kids will - I can promise that much.

Cosmo

Porn ;

-just break down for us exactly what your take on porn is...

Porn addiction is the issue. We will never get rid of it. This isn't a dictatorship - But, I hope we can look at ourselves and remind each other that human connection is important. And, we don't slide down the porn rabbit hole into Violence and disturbing imagery that is desensitizing - and caters to violence against women, rape and misogynistic views. Objectifying a woman or man for personal pleasure has always been around.
I think with the internet explosion -there is so much access and sickness. It's something to talk about.
Press Reset.

-Pam, you've obviously done some iconic Playboy shoots in the past, do you regret those now?
God no. I love Playboy. Playboy was sexy and innocently titillation.
I loved my experience - it was a lifestyle.  
It was the about girl next door.
I agree with Hef to let the magazine go.
It's the end of an era.
Sadly-
Porn killed Playboy, and I'm happy that the magazine didn't get to far off track trying to keep up. Lets keep those memories sacred. The next generation is going to have to learn some sort of self discipline. But this is an age of addiction, of fast food.
Good love making takes effort, imagination, commitment and style. It is not crass or self serving.

-The piece the 2 of you wrote for WSJ, primarily focuses on the consumption of porn by men, do you feel the same about women who watch porn?
-do you think there's any truth to the saying "all things in moderation."

I guess moderation is key -
I am not a fan. I think it's destructive.

-there's just as many studies that also show that porn can be healthy in a relationship and can be used to spice up someone's sex life, what is your opinion on that?

Have you ever been treated like a porn star in bed.
Slapped and spit on.
I'm sorry - but that is terrible sex.
When people say they learn things from watching porn - It makes me want to cry- it so sad to hear that. I hear that from straight and gay friends who are young. And I realize they might be telling me their experience - It's the worst way to learn about sex. Sex is mysterious. It is between 2 intimately tied partners. It is a journey.

I never have any interest in anyone but the man I'm with. And, It excites me so much more. - I'm not interested in watching someone else make love. I love to just create my own experience-
It worries me that the world might forget how to make love -we are talking about real intimacy. Partnership.
And beautiful sex driven by love and passion.
We have to be cautious of imprinting.
Everything we do watch, wear and eat and listen to.
Creates us. Our energies. The way we look at people.

I love sex, I love sensuality.
The 2 can be one.

This is my quest. To stir up romance and chivalry. It is resonating. So there is hope.

Hurricane Matthew Relief Initiative

www.wavesforwater.org/project/hurricanematthewreliefinitiative

I know this may not be popular - but honest -

"I have to agree with PETA - it is a complicated and heart wrenching issue. ;

Montreal has banned BREEDING pit bulls. If they had banned breeding poodles, that would be great for poodles and overall.  We’d be rejoicing. They’ve banned pits because someone was killed, but any ban on breeding any dogs right now is a fabulous thing.  It’s a start, it helps, it will help pits and the homeless animals crisis way into the future. 

Montreal has also imposed conditions on ownership:  If anyone thinks that people who can’t afford a dog should have one, take a minute and think it through. What happens when that dog breaks a leg, gets parvo, needs shots, isn’t sterilized, and so on? We know: they get turned into a shelter, usually by that time too old, sick, injured and undesirable for anyone to want to take.  And remember, just as PETA sterilizes all pits free of charge in our own clinics, and provide free vet care for pits and other animals every single day of the year, there are funds in Montreal and elsewhere that help people truly on a fixed income who truly care for their pits or any other animals.

Finally, yes, pits in the Montreal shelter may be euthanized.  The fact is that as long as more dogs keep being churned out, there will be dogs who will be euthanized, pits or not pits.  SO, if anyone can provide a good home for a dog, hurrah, encourage them to do it. They can reduce the sum total of dogs being euthanized by adopting a pit elsewhere if they are hooked on only having a pit for some reason (as if dogs must look a certain way to be loved or wanted), or by adopting a different type of dog in Montreal – there are enough to go around, more than enough - thereby saving a dog life somewhere. 

Please read PETA’s position, above, carefully, before buying into the counterproductive hysteria that does absolutely nothing to solve the very real problems faced by shelters and homeless dogs. "

As we learn we must change ...

Pamela

Contempt - 1st of my wine series available now

The Canadian Icon and an upstart winery. On paper, they were worlds apart but little did either know they had much in common when in 2015 Pamela Anderson happened upon a bottle of hatch Brut Rose. Taken by the rebelious design and unquestionable flavour, a long seeded idea was hatched. An enthusiast of the luxury of Champagne while also being a Canadian patriot at heart, Pamela decided that wine was a great medium to showcase her interests in drama, glamour, art, love & fashion.…Contempt was the concept 'I wanted these wines to convey a feeling, a message, a warning something romantic, real, with a pink edge'.
It was a meeting exactly one year ago between Pamela and hatch winemaker Jason Parkes, a person known for his own artistic leanings that the partnership was cemented with a mutual love for art and rebelion, loud music and glamour. But most of all, wine. We are excited to debut along with Pamela 'Contempt', a beautiful sparkling wine made from the classic Champagne varieties grown along the Naramata Bench in the Okanagan Valley of British Columbia, the home province of Pam herself.
'The fine line - Contempt ends where love begins; forgiveness, always a battle.'
Wishing you Love,
Pamela

www.thehatchwines.com/product/contempt-brut-rose/   (Shipping to Canada only)

Dazed - Pamela Anderson: Sensual Revolutionary

Text Isabella Burley - Photography Zoe Ghertner - Styling Emma Wyman

‘My favourite times are when I completely lose the way I look’ – the postmodern artist better known as Pamela Anderson on entering the most radical stage of her career yet

Taken from the 25th anniversary issue of Dazed: 

“When she exits a location, Pamela leaves behind sparks of electrostatic, radioactive biodiversity.” — Ed Ruscha

It’s almost sunset in Malibu. Hidden behind an unsuspecting lane, in front of an imposing treehouse, is a surreal vision of a blonde bombshell rolling in the sand. For a second, the world appears to melt around her: every move is hypnotic, considered and intense, as she morphs between sensual poses and piercing stares transform into infectious smiles. This is a woman who exists in an unknown state somewhere between fantasy and reality, and everyone surrenders to her powers. We’re witnessing the postmodern artist better known as Pamela Anderson at work.

“My favourite times are when I completely lose the way I look and I’m unrecognisable even in the mirror,” confesses Anderson. “Some people still think that I’m a cartoon character from some of the past stuff I’ve done.” Right now, we’re drinking champagne from paper Starbucks cups – an appropriate metaphor, considering Anderson’s penchant for extremes and a career so idiosyncratic, only she could pull it off. “It’s hysterical, some of the things I’ve done…”

Pamela Anderson has been on display at the Metropolitan Museum of Art in New York (courtesy of Richard Prince), her breasts and other body parts have been immortalised by pop provocateur Jeff Koons, and Ed Ruscha calls her “a true artist”. She’s also famously pole-danced to Elton John’s “Bitch Is Back” in Las Vegas (a routine that saw her pulled from primetime television), stripped live on SNL, and has two perfume lines: Malibu Day and Malibu Night. She was the leather-clad femme fatale in Barb Wire, did a handful of reality TV shows (“the worst decision an actress can make”) including E!’s Pam: Girl on the Loose!, and even danced on ice (demanding £1,000 a second). “Sometimes, you have to laugh at yourself,” she smiles.

For an entire generation, Anderson is the ultimate chemical-blonde centrefold. In fact, she’s done so many Playboy covers, she’s lost count. “Everyone says that it’s 14, but I swear it’s 15,” she exclaims. Either way, it’s record-breaking.

“I really miss the Playboy days,” she confesses. “It was wild… It was my university: sex, art, philanthropy, and just being around really talented, wonderful people. On Sunday nights we would all watch movies and stay around for the jacuzzi. I even used to call Hef (Hugh Hefner) up in the middle of the night and ask him, ‘What are you doing?’ He would say, ‘I’m eating a peanut butter sandwich. Come on over!’ It was really innocent. I mean, we weren’t too innocent… but it was very free, and nothing compares.”

In January, Anderson defined the end of an important era for the erotic title, fronting Playboy’s last-ever nude issue. It was official: the internet had killed Playboy. “It was a real honour,” she says. “I never thought I would do a cover again. I remember when Hef called me, my son was next to me and he said, ‘Mom, you’ve got to do it!’ So I did.” A few weeks later, wearing nothing but a metallic choker that read ‘SEX’, she was shot by Ellen von Unwerth and interviewed by James Franco. Naturally, a moment of such significance demanded special attention: the issue came packaged in transparent, wipe-clean plastic, a reminder that this was an object of sexual significance, to be treasured and never be left to gather dust.

“Pamela possesses a rare combination of beauty, sex appeal and personality, and it’s made her a true pop-culture phenomenon,” explains Hefner, now in his 90s. “I believe she is the Marilyn Monroe of her generation. More important to me is her personally, she is a dear friend and a very special lady. I love her very much.”  

“One time (at the Playboy mansion) my kids said, ‘Mom, do you know what Hef does for a living? He takes pictures of naked girls!’ I was like, ‘Oh my God, let’s get out of here!’” — Pamela Anderson

Hefner has been an influential figure in Anderson’s life, and the two share a powerful bond even to this day. “I remember when I first met him. He walked into the room and stole the show. It was beyond rock-star!” she gushes. “Hef has always been a pioneer, setting the stage for all of us. When I saw him not too long ago it was hard to see him in a walker. He’s always been this strong person – and I know that he’s still strong, but to see his body fall apart is hard.”

“My kids have been going (to the Playboy mansion) since they were born,” Anderson continues. “Hef would always tell them things like, ‘Your mom couldn’t afford clothes when she got here!’ One time, I think they kind of realised what was going on and they said, ‘Mom, I was just at the grotto. Do you know what Hef does for a living?’ I said, ‘I don’t know, what?’ ‘He takes pictures of naked girls!’ I was like, ‘Oh my God, let’s get out of here!’”

Anderson has always possessed an incredible self-awareness. It might be this that intimidates people about her: she’s never apologised for owning her sexuality. Three decades after she first became a sex symbol, why start now? “I flipped the script,” explains Anderson, who revealed in 2014 that she had been a victim of sexual abuse as a child. “I really did. I was trying to take the power back from my life and things which had happened to me in my past. I felt really out of control and felt, not like a victim, but that I wasn’t in charge. When I started posing for Playboy and doing things in LA, I realised I was living my own life. It was really empowering for me to be that girl. I was always so painfully shy, and when I could break through that, it was just like, freedom. Then you couldn’t stop me from walking down the street naked!”

Was there a defining moment that changed her perspective? “Yes. The first Playboy cover I did (in October 1989),” Anderson replies. “(At first) it wasn’t nude, but I had someone reaching in and adjusting me and I was violently ill. I was really sick. Then it hit me, right there. I was like, ‘I can do this.’ It’s just what society puts upon us. It wasn’t like I was doing anything graphic. Then, I started appreciating all the nude pictures of women on the walls and I thought, ‘They’re so beautiful – what is wrong with this? There’s nothing wrong with it.’”

“I hope to find a great director to take me away – but also promise to bring me back. That’s a fear of mine... I’m creating my own myth, but I’m not in control” — Pamela Anderson

Recently, Anderson has entered the most radical stage of her career. Taking on a series of unexpected projects that are worlds apart from her one-dimensional ‘plastic’ persona, she’s been exploring the malleability and fluidity of her own identity. Not only is she consciously unravelling the mythology of the sex symbol; she’s subverting the concept entirely.

Her most extreme project to date is Luke Gilford’s dystopian short “Connected”, where Anderson goes make-up free to have a mid-life crisis. The film is a brutal commentary on ageism, but that didn’t stop the 49-year-old from taking the lead. “We really went for the crazy,” she enthuses. “It was really broken down… (Luke) was lighting me with these overhead ultraviolet lights and sniggering in the corner – I’m like, ‘You have no idea.’” When stills from the film surfaced online in February this year, a string of headlines followed – one even began with “Pamela Anderson battered and bruised…”  

“I really wanted to deconstruct (with ‘Connected’),” continues Anderson. “We showed it in a lot of art galleries and got a great reaction. Now I feel like I’m coming out of that. We’re in the reconstruction phase. I want to show that women can be glamorous at any age. We’re not all just looking for that pill or SoulCycle that’s going to make us younger. You can still be sexy at 49 years old. I get (magazines) that come up and they’re like, ‘OK, you’re going to be in a dirt room with no make-up.’ What?! So why would I do that? Why would I put myself in that situation? Who’s this good for?”

Legendary director Werner Herzog also wants to work with Anderson. “I remember when I told my friends Ed Ruscha, Richard Prince and Jeff Koons that I’d gotten a letter from Werner Herzog, they were like, ‘Pamela, you have to do this!’” she recalls. Originally looking to cast her in Vernon God Little, a darkly comedic film adaptation of DBC Pierre’s 2003 novel about a Texan loner who kills six classmates and then himself, Herzog now wants to write an original film for her.

“(In the letter) he told me, ‘Don’t ever audition for anything,’” Anderson explains. “‘If someone can’t see what you’ve accomplished and what they can pull out of you, what are they gonna do? Mediocre directors, people that don’t know you, are going to consider you a B(-list) actress or think that you’re not able to do these things, but I can see it. I want you to know that good people can see it.’ I was like, ‘Yes!’ I couldn’t have dreamed up something more fabulous than that, or a director I’d want to work with (more)… apart from maybe David Lynch.”

As Pamela Anderson has been immortalised by pop culture, the art world has followed suit. In fact, she possesses a greater understanding of visual culture and aesthetics than most of her celebrity counterparts. Plus, she’s an avid collector.

“What we see in the magazines is a mask, a blow-up doll, but underneath is a very beautiful, empathetic, mature person,” said artist Marilyn Minter in 2007. Interested in deconstructing the illusion of Pamela Anderson fabricated by magazines like Playboy, she created a series of intimate, hyperreal portraits of Anderson drenched in water and in the raw. “I have so much respect for (her)… Sure, Pam is a product of her culture, but she’s not a victim. Instead, she uses her circumstances to be successful. She lives from the way she looks.”

“I don’t believe in borders. Don’t follow the bewildered herd. Just think for yourself. Stand on your own and don’t fall into all the propaganda” — Pamela Anderson

For Ed Ruscha, Anderson is both postmodern art and a postmodern artist. “(She) has the outlook of a person who is wide-open to the world, which defines her as a true artist,” he says. Naturally, as an adopted American icon (Anderson was born in Canada), she’s also been the subject of his work. “He’s said so many nice things about me, I don’t even know how people get hold of him to ask,” laughs Anderson. “He did (a piece with) my name, P-A-M-E-L-A, speeding out of a window with skid marks because he said I was always going too fast! Richard (Prince) also gave me ‘A Study of a Nurse’ (from his Nurse Paintings series). It’s a showgirl nurse. (It says something like), ‘She is demanding. She is passionate. She’s easy,’ or whatever it was. I don’t know if it was describing me, but it’s perfect.”

But Anderson has never settled for being a silent icon. She’s outspoken and a fearless activist – some might call her a threat, but that’s all part of her appeal. For several decades, she’s campaigned for human, environmental and animal rights through the Pamela Anderson Foundation – last year, she even auctioned the engagement ring given to her by ex-husband Rick Salomon to save the rainforest in Papua New Guinea. “Have you read The Shock Doctrine?” she asks. “Naomi Klein is a friend of mine, I helped her release her last film on climate change. We had these conversations about fear and it being a way to control people. I don’t believe in borders. Don’t follow the bewildered herd. Just think for yourself. Stand on your own and don’t fall into all the propaganda.”

One of Anderson’s biggest female role models has been fellow activist Vivienne Westwood, who describes her as “a tremendous woman”. The British designer invited her to be part of her SS09 fashion campaign, shot by Juergen Teller in Malibu. At the time, Anderson was still building her house, so Teller and Westwood stayed on a blow-up mattress in her trailer. The shoot captures candid moments of Anderson at home in the trailer park, reading Plato, hanging out with Queens of the Stone Age, and even posing with her own laundry. (Yes, you read that correctly. Pamela Anderson does her own laundry – could she be any more fabulous?)

“I wish there were more people like (Pamela) in this world, because then the world would be a better place,” says Westwood. “I’m not talking about her looks, I’m talking about her spirit. Pamela is one of the most intelligent women I ever met. She’s extremely sexy, and what’s wrong with that?”

“One time I couldn’t go to Vivienne’s store opening in LA because my kids were driving me crazy,” says Anderson of her sons, Brandon and Dylan. “So Vivienne came over, went into Dylan’s room with her orange hair and said, ‘I’m so proud of you. Never listen to authority. You made your mother completely insane. I want you to keep doing that to every adult you ever meet.’ I was like, ‘Noooooo! That’s not what I wanted you to say.’ They all went to the Arctic together on a Greenpeace mission and Vivienne was yelling at everybody. Brandon said, ‘Who is this woman you keep sending me on things with?’ And I said, ‘One day you’ll figure it out.’ Now he’s like, ‘Mom, Vivienne created punk rock.’ I was like, ‘I told you one day you’d figure it out! These are all very colourful, wonderful people that Mom knows and that are going to colour your entire life.’”

“Sure, I have a good time, but I mean, I have kids. I’ve rolled out of bars covered in champagne before, but sorry, you know, who hasn’t? Who hasn’t, right?” — Pamela Anderson

It’s fair to say, Pamela Anderson has always been interesting. But in person, it’s her unique ability to laugh at herself that has the power to draw you in. “I don’t look at the tabloids, but they can be really ruthless,” she says. “Sure, I have a good time, but I mean, I have kids. I’ve rolled out of bars covered in champagne before, but sorry, you know, who hasn’t? Who hasn’t, right?” Naturally, we’re in fits of laughter.

Anderson has openly referred to herself as “a work in progress”, a feeling that shines through more than ever. There are no limits to what she can achieve. “I’ve always wanted to write erotic short stories,” she confesses. “People tell me I should. Everyone says I’m a pretty good sexy storyteller!”

When she’s not speaking out against domestic violence or teaching you how to be a sensual vegan (also the name of her inaugural cooking show), Anderson enjoys railing against what she sees as a desensitised generation. “The least sensual thing is a computer,” she said in an interview last year. “How does anyone learn to make love? We need to start a sensual revolution. To start feeling our feelings again.” This declaration turned into a personal social experiment. For six months, Anderson went without a computer and mobile phone. Would she ever try online dating? “Even if I never date again, I will never go on the internet to find somebody,” she quips. “I’m like, ‘What’s going on? Isn’t this supposed to be fun?’ I’ll do anything for it! I’ll dance around naked. Let’s play characters! Let’s talk in different accents. Why is this so serious? It’s hard for me to stay in a relationship that isn’t like what I experienced at Playboy. It’s like, ‘Relax. Have a glass of champagne!’”

Next on Anderson’s agenda is a cameo in a film adaptation of Baywatch, the TV show that turned her into an American sweetheart. “I still have one (red swimsuit) and it still fits,” she says. “I try it on every once in a while.” After that, she has a role in a James Franco-directed horror film, tentatively called The Institute. In it, Anderson plays a patient at a mental institution. “As far as I’m concerned, my husband dropped me off at a country club,” she says of her character. “I’m numb and vacant – medicated. I may as well be on the Titanic, (I’m so) oblivious to the deviousness of the doctor (played by Franco). It’s like Groundhog Day, starting over and over. I’m inspired by (Franco’s) voracious appetite – I wish I could segue mine into something more productive than sex and love.”

“I’m trying a few different hats on now,” Anderson continues. The champagne has run out, and she’s neatly scrunched up her Starbucks cup. “I hope to find something in film where I can trust someone, a great director to take me away – but also promise to bring me back. That’s a bit of a fear of mine. I live in a dream. I’m creating my own myth, but I’m not in control. I tend to overanalyse things. So this probably means nothing at all to anyone else…”

Hair Marki Shkreli at Tim Howard Management, make-up Fara Homidi at Frank Reps using NARS, nails Marisa Carmichael at Streeters using Formula X, photographic assistant Katelyn Reeves, fashion assistants Ioana Ivan, Virginia Fontaine, Sam Schwartz, production Connect the Dots www.dazeddigital.com/artsandculture/article/32796/1/pamela-anderson-dazed-25-zoe-ghertner